The Infant Cycle is a project of the Canadian artist Jim DeJong working under this name since 1992. It may seem surprising, but all these 15 years he remained in the underground of experimental music, and his name is well-known only to inveterate enthusiasts and explorers of this strange phenomenon. The project has put out 6 full-length albums on cassettes and CD-Rs, several singles and an amazing series of minions called “Clear Shape” released in ultra-limited editions on transparent vinyls of unusual forms (square, hexagon and triangle). Jim has also recorded a lot of collaboration works with such musicians as Big City Orchestra, Dronaement, Orphx, Aidan Baker, Delphium, etc., some of them were published by his own label The Ceiling.
The Infant Cycle’s music has never been notable for tensity or ornateness, instead of this it focuses on the subtle aspects of sounding of separate timbres and their combinations. Such textural orientation allows to create a completely peculiar effect, and the seeming minimalism carries into the contemplation of the infinity of possible microsound combinations. In this connection, Jim knows how to get on with both rhythms and drone ambient prostration. Among his favourite instruments are Poly-800, shortwaves, feedback, field recordings and altered vinyl records.
Vinyls deserve special mentioning. Jim carved the runout grooves of records and thus created simple and unembellished (yet in some ways, unpredictable) rhythm patterns. Once he decided to start a project severely limiting the sound sources to one carved playout and the operational sounds of his old 4-speed Califone record player. Additional noises were generated by running a razor blade along the platter while it was spinning (the blade at different altitudes, and the platter at different speeds which was picked up by the needle), and the tone arm being vibrated into different tones by a violin bow (amplified via the needle).
An early track (called, fittingly “Playout (Early)”) appeared on “Lágrimas De Miedo N°8 – Sund”, a compilation CD coming with the eighth issue of France’s “Fear Drop” magazine (2001). Two excerpts were also released as a free promotional 5″ by The Ceiling to announce the then-upcoming CD release of “Playout” on the American label Merchants Of Sound. But the label soon folded out, and the recording was lying and lying in the bins of The Infant Cycle’s archive. And now we are infinitely glad to have an opportunity to present this work to your attention!
2 tracks. Cardboard sleeve CD-R 250 copies ltd.